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- <text id=94TT1143>
- <title>
- Aug. 29, 1994: Essay:Forrest Gump Is Dumb
- </title>
- <history>
- TIME--The Weekly Newsmagazine--1994
- Aug. 29, 1994 Nuclear Terror for Sale
- </history>
- <article>
- <source>Time Magazine</source>
- <hdr>
- ESSAY, Page 82
- Forrest Gump Is Dumb
- </hdr>
- <body>
- <p>By David Van Biema
- </p>
- <p> The beginning and end of Forrest Gump, as millions know, feature
- a feather. A lovely little feather, seemingly unbound by gravity.
- It floats over houses, churches and trees. It may dip or settle,
- only to rise again, triumphant, borne by a breeze.
- </p>
- <p> It's an apt metaphor not just for the movie's plot--Man's
- Fortunes Rise for No Apparent Reason--but also for its box-office
- fortunes: in six weeks, Gump has floated to grosses of nearly
- $200 million.
- </p>
- <p> Just shows you how far a lightweight can go in this country.
- </p>
- <p> For the as yet un-Gumped, here is a jaundiced synopsis: Forrest,
- a nice young man with an IQ of 75 and a freak talent as a runner,
- survives bullying in his small-minded hometown; survives Vietnam
- and wins a Medal of Honor; survives a freak storm on the Gulf
- Coast that wipes out all other shrimpers, making him fabulously
- rich; and survives (as in outlives) his sweetheart Jenny, a
- sad, bad girl who nonetheless leaves behind Forrest Gump Jr.
- Gump also manages to inject himself, Zelig-like, into a fair
- amount of historical film footage.
- </p>
- <p> My queasy feeling began during the film's key Vietnam scene.
- There is an ambush: Forrest saves some of his platoon; others
- die; his lieutenant loses his legs. A certain horror attends
- the explosions and deaths but so does a strong feeling that
- things here are happening by the book. As indeed they are. The
- grunts have not died in vain: they have died as a plot device,
- to facilitate Gump's upward float--and the film's apparent
- message: act decent, stay positive (brains optional), and everything
- will be fine.
- </p>
- <p> Well, fine for Gump. In fact, although Forrest is a good man,
- he is not a good man to know. The lieutenant (whose injury remains
- a focus of fascination, if only because Industrial Light & Magic,
- George Lucas' special-effects house, did such a great job "erasing"
- his legs in subsequent scenes) actually gets off easy. Gump
- walks between the bombs: everyone else, whether famous (John
- Lennon, George Wallace) or intimate (Jenny), gets hit. Assassination,
- cancer, AIDS: surely Forrest would not have wanted it scripted
- that way. But he's not the screenwriter. As it is, after each
- death Tom Hanks stares petulantly into the distance: "And that's
- all I'm gonna say about that."
- </p>
- <p> Now Forrest is hardly the first idiot hero to ride through a
- fiction, bodies dropping all around him. The Czechs celebrate
- the apparently obtuse Good Soldier Schweik, whereas in terms
- of plot Voltaire's Candide might have been a Gump pilot. Yet
- Schweik is not so much a defense of dumb optimism as an argument
- against militarism and a celebration of sly peasant smarts.
- And Candide may be literature's most ferocious send-up of cheeriness
- in the face of the world's cruelties. By its end, its battered
- hero has abandoned his opening premise that everything happens
- for the best in this best of all possible worlds.
- </p>
- <p> Gump, however, refuses to suggest its idiot might be mistaken--he must come out a winner. Thus by the closing credits, he
- is triumphantly spouting the same faux wisdom as at the beginning:
- "Life is like a box of chocolates. You never know what you're
- gonna get." And America is cheering.
- </p>
- <p> Much as it cheered Ronald Reagan, who, more than Schweik or
- Candide, is the real proto-Gump. Reagan too was relentlessly
- upbeat. Reagan too was extraordinarily lucky. And his luck,
- like Gump's, was often built on the backs of people who suffered
- off-screen. Forrest had bankrupt shrimpers, martyred Vietnam
- buddies, and his wife, whose death was remarkably demure, considering
- her ailment. Reagan scored points off America's poor; somehow
- managed to cloak himself in heroism while apologizing for a
- needless screw-up that killed 241 U.S. servicemen in Beirut;
- and avoided tarnishing his reputation for optimism by spending
- too much time on AIDS.
- </p>
- <p> In fact, we struggle constantly with a nasty addiction to Gumpism.
- And as the conundrums facing the voter become ever more complicated--Whitewater, Bosnia, battling health plans--and the average
- American apparently feels less and less compelled to understand
- them, the very last thing the country needs is a movie telling
- it that the answer is Engage Winning Smile and Detach Brain.
- </p>
- <p> In real life, the "box of chocolates" line is seldom enough.
- And then Gumpism risks devolving quickly into a mindless, heartless
- conservatism where, if the next guy over is having a rough time
- of it, it's not because America has failed to grapple with the
- real and complex problems that face it--it's probably because
- he isn't sufficiently upbeat. Or not decent enough. Lacks family
- values. Reads insufficiently of the Book of Virtues.
- </p>
- <p> Moviegoers recently exiting the showing of Gump near my Manhattan
- building probably walked smack into the local legless beggar.
- Poverty, homelessness and physical disability are not what one
- likes to grapple with on a nice day out with the kids. But one
- thing you can bet on: his legs cannot be restored by Industrial
- Light & Magic.
- </p>
- </body>
- </article>
- </text>
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